Betty Boop

Betty is Born

The Birth of Betty The first appearance of Betty Boop was in the 6th Talkartoon starring Bimbo, entitled "Dizzy Dishes" in 1930. The first animator to draw Betty was Grim Natwick, and she had not yet been named officially. He took his inspiration for Betty's spit curls from a song sheet of Helen Kane. Helen was often called the "Boop Oop a Doop Girl". Betty started out being designed as a human-like dog, only her black button nose and floppy ears hinting at her canine nature. These ears later became her golden round earrings. Her high baby voice, like her spit curls, were in imitation of the singer Helen Kane. Her first starring role was in "Betty Coed" in 1931, which was also the first time the name Betty was connected with the character. In "Any Rags" in 1932, Betty became completely human, and her ears permanently became earrings. As for her famous garter, Betty started out with two, then early drawings showing her still with ears show the garter on her right leg. When she became a regular, however, and her features were officially set, the garter moved to her left leg, and stayed there.                                                                   Return of the Boop Betty's series ended in 1939 with "Yip Yip Yippy". In the years to follow, she would appear in clumsily colored re-releases (1970) on television, but her real revival came about during the late 60's and early 70's, when her cartoons began to appear in late night showings at college town theaters, as well as part of psychedelic light shows. Since then she has remained popular, with a fan following that becomes larger every day. The 90's celebration of her 60th anniversary brought her back into the public eye even more. To commemorate the event, A&E did a Biography special on her and on the Fleischers, and the American Movie Classics channel (AMC) has shown several of her cartoons. Her cartoons are now available to the general public in an 8 tape set from Republic Pictures.                                                                 Betty's Sex Appeal Unlike Disney, Fleischer Studios' only real competitor at the time, Fleischer allowed several racy images and scenarios to enter his cartoons. In several cartoons, Betty loses the top of her dress ("Any Rags"-1932 and "Poor Cinderella"-1934), exposing a frilly strapless bra, and in others her skirt flies up ("Dizzy Red Riding Hood"-1931 and "Barnacle Bill"-1930.) You can even catch a glimpse of her breast in "Betty Boop's Rise To Fame", while she changes into her hula outfit, but only if you look quickly (The scene lasts only 1/24th of a second.) In the same picture, she performs the hula dance with only a strategically placed flower lei to cover her chest. In a couple of cartoons ("Mysterious Mose"-1930 and "The Old Man of the Mountain"-1933), Betty loses her dress completely, but is conveniently hidden behind a tree or in her bed. Very often Betty's curved silhouette could be seen through her clothing as she passed before a fire or other light. By 1935, in the era where sitcom married couples slept in separate beds, Betty was toned down. Her skirt was lengthened and her strapless dress given a top and short sleeves. Thankfully, today censors are not so strict, and Betty has returned to her former self.                                                                     Legal Troubles All was not wine and roses for Betty. In April 1934, Helen Kane, whose popularity had waned since her debut in 1929, filed suit against Max Fleischer, Fleischer Studios and Paramount Pictures for $250,000. She claimed that Betty Boop had stolen her fans. Max Fleischer gave testimony that Betty Boop was not based on Helen Kane (which was untrue - Kane was one of the main inspirations for Betty, though she developed other features on her own as the years progressed.) Five of the women who had been the voice for Betty Boop appeared in court to deny that they had attempted to imitate Kane's voice. The judge even watched and compared several of Betty's cartoons with some of Helen Kane's films. There was testimony that the "Boop Oop a Doop" phrase came long before Kane's popularity, as one witness claimed to have heard the phrase uttered in an Edith Griffith song. And on May 2nd, Paramount Pictures was able to locate a film clip of another singer, Baby Esther, who used the same phrase in a song in 1928.